mask exploration . 2020 |
it's officially summer!
in addition to the first half of the year being an absolute mind****, we now have to bear the scorching heat with half our faces covered thanks to coronavirus. funny enough, before the world moved into mandatory mask wearing, i've been wanting to work on masks as part of my textile practise. so far, i've worked on textile projects for adorning the human body (capes, wraps). i want to continue these explorations through mask making.
concealing one's face comes in various forms and practises found in many cultures around the world. it holds great significance in the arab world, wearing masks or face coverings for various reasons – religious or spiritual, adhering to certain weather conditions, or as a way of dressing conservatively. there is a rich history behind mask wearing rooted in nomadic traditions which have carried through to contemporary face coverings we see today.
i'm interested in exploring masks as a tool for expression. with your face concealed, how can you convey emotion? in many tribal ceremonies, costumes and masks are worn to exaggerate movement and expression, sometimes transforming the wearer to present someone otherworldly and magical. i find these traditions so fascinating and want to explore these practises in my works.
the short gif above shows my first attempt at making a mask that comes alive with movement. it's made from a used medical face mask and multi-coloured ribbons. this is very much a prototype, introducing myself with the process of constructing a mask. i had so much fun making it, and loved the results when wearing it. i felt like i was dancing again, the mask exaggerating my movement.
i'm definitely excited for making more masks in the near future so stay tuned. until then, enjoy the gif above, and notice how my glasses fly off my face! thank you azim al ghussein for taking these photos under the summer sun, and helping me find my glasses hidden in the bushes...