31.12.21

the year that felt like two

portrait (i can't stand myself) . 2021

this wasn’t how i planned my end of year post to look like. i would’ve liked to have shared an artwork i created as greeting cards for loved ones, and reflect on how the year was. but with having to quarantine after testing positive for covid, this year’s post will be slightly different. 
i type this as i self isolate in my bedroom which i've had a strange relationship with through recent years. i’ve felt i had overgrown my bedroom awhile ago, and have neglected keeping it a comfortable, tidy space because of it. i think quarantining in a space that i've been avoiding has forced me to reconnect with it again –  i'm enjoying my room for the first time in awhile, reading comics and watching movies which i used to do when i was younger. it’s made me realise that this is a space i need to take care of more. fingers crossed i carry through…
now back to my year in review – i never imagined that by the end of the year, i’d say 2021 was tougher than last year. it really felt like two years clumped into one! the first half of 2021 felt very much like 2020, while the second half shifted gears during what was one of the hottest summers experienced. 2021 was the busiest i’ve been with work since the pandemic started, and i’m truly grateful for that. but at the same time, i was disappointed with people’s bad working habits that consist of ridiculous timelines and an expectation that work needs to get done regardless of any circumstances. i’ve had some of my worst client experiences this year, and unfortunately have been burnt out because of it.
and to no surprise, the local art world continued to show it’s true colours and i continue to question my place in it. it’s a real shame to see how corporatised the art world has become, where acknowledgement of one’s work and practise is mostly through institutional channels and participations. it feels like (and i cant emphasise this enough) everyone’s working with the same artists, same curators, same art jargon, looking for some sort of institutional approval or validation. it’s all so banal and contrived, not inspiring, nor challenging or creative. and with confusions about the art world, i’ve also been disappointed with the behaviours of some friends and peers. it feels like everyone’s performing these days, longing for some inclusion and acceptance in this contrived bubble. sometimes i wonder maybe i’m the crazy one with my opinions. but there are enough people out there who agree that these things are happening, and it’s not cool. the last two years have really brought out the true colours of many. and it’s a shame when your closest friends are the ones that have completely changed. with that said, i’m ready to face 2022 with everything i’ve learnt this year. and i know family and the truest of friends are there for me to not face anything alone…
so here it is – my 21st post for the year 2021. it has been a difficult one, and who knows what to expect next. but here’s hoping it’ll be less crazy than what just happened. stay tuned in 2022 where i’ll be sharing projects that i worked on this year but was unable to make time to post about, as well as some new ones. 
seasons greetings, happy new year, and see you on the other side. and as always, may 2022 be good to us all…
ps – if anyone is wondering, i did dance this year. and it was wonderful… 

14.12.21

doors

doors . 2021

at 'welcome! 10 years of swatch art peace hotel' exhibition . 2021

at 'welcome! 10 years of swatch art peace hotel' exhibition . 2021

once in awhile i get to work with some really cool clients. and on this occasion, it was none other than swatch!
i was invited (alongside 4 other artists) by team swatch to create a design that customers can personalise and have printed as their very own swatch, part of the expo2020 dubai collection for their swatch x you campaign. the collection also tied in with the ten year anniversary of the swatch art peace hotel, their artist residency space in shanghai.
i submitted an illustration titled 'doors' which is a collection of motifs derived from the ornamental metalwork on doors and gates of old, traditional uae homes of the past. i find the designs so beautiful and graphic, and wish they were still a thing today. i created a pattern of these ornate designs for application on a swatch. doors can be gateways to the past, and i wanted this illustration to be a moment in time that you can carry with you.
to commemorate this project, the artworks and swatches are on show at the 'welcome! 10 years of swatch art peace hotel' exhibition at alserkal avenue! if you want to check it out in person, you have until the 31st of march 2022! more exhibition details here. and the most important thing – to get your very own customised khalid mezaina swatch, head to the make your watch page here
i used to love my flik flak watch as a kid, so to work with swatch all these years later is pretty cool! thank you swatch for the opportunity, sultan al qassemi for nominating me for this project, and alserkal avenue for hosting the show.

13.12.21

wake

wake (page 1) . 2021

wake (page 2) . 2021
 
wake (page 3) . 2021

wake (page 4) . 2021

wake (page 5) . 2021

wake (page 6) . 2021

'wake' in corniche . 2021

i'm happy to announce my participation in the third volume of 'corniche', an annual comics anthology published by the sharjah art foundation (saf). i've been included in all volumes so far, and it's truly an honour to continuously be a part of this amazing publication, alongside many of my talented friends and peers.
'wake' was quite an emotional comic to make. as mentioned in an earlier post, i had someone dearest to my heart pass away over the summer (see here). i felt i wasn't able to mourn her passing properly because we were in different parts of the world, and i didn't get a chance to speak to her one last time before the sad news. i think making this comic was a way of releasing this unresolved energy and emotion, and in someway, give myself a sense of closure.
i won't say too much – i hope the comic speaks for itself, and that you enjoy it. if she's reading this, i hope she enjoys it too!
thank you team saf for having me on board always, and to nasir nasrallah – talented artist and the brains behind this amazing anthology.
i dedicate 'wake' to sina, and to anyone who needs to be remided that those who pass on never go away...